On the nearest socialmedia platform (X), digital art is discussed on Tuesday and the PPL on Tuesday and the PPL that they are creating, collecting and curing on this blockchain. The Tezos is an open source blockchain && argument, the most important art is being made on blockchain.
Today • Tesus on Tuesday, May 13, 2025, I am thinking of/thinking of my recent bad Western art, which is being shown in a pop art exhibition by the GIF Gallery (Switzerland && Online). His new show draws pop art into digital cultures. I bring my privileged ghost codes from the West to the 1960s neon lights, which gave birth to some Western countries, which I love the most. Of course that era has also provided us with the inevitable pop art movement
Today, we can trace the media art hesturies today by following or recognizing a model of influence that created Andy Warol’s 1968 film Lunsum Cowboy (which I will never forget). Like Warhol, we can also use icons (ie ‘shepherds’) so that people are different than expected. We can make ‘expectations’ expectations in ways that suggest different results && interpretations
The defect I make Western icons is AI’s Frontier Technologies deliberately bold && Bloodard: Horse, train engine, gun, and & a skull that is drowning in gold… Teeth combine W. Magic pills together. My icons tell the puzzle, sports and ghost stories in unstable layouts, non -liner statements, and meaningful networks that shine and shine. An ‘error’ in my own matrix is a deliberate in which my dynamic GIF frames do not grow at the same rate. I have carefully developed a shift frameresat that makes my work feel ‘off’ or ‘weird’ because when it stands, it also seems to be an unstable movement, a bit ‘rotating’ in time.
Along with this, what I give as gifts, I compress a psychiatric && and frames in a single steel image. Animation makes pictures in our minds. We experience interstitials among the frames that are their own ghostly exhibitions… when you see a picture that is in fact your own invention. It was not in individual frames. This is part of your own geestal. This image, when ‘prepared’ from my dynamic GIF, is not inside it. Instead, this image is remembered by a feeling. I have added the frames to a icon I remember ‘see’ &&, however, as a feeling, as an impact, in the western imagination of my malfunction, like the ghosts, like the ghosts.
“Out of the west, when the gun becomes locomoto,
Railway time walks through you,
Like the bullet, ➝ Revol RR on your railway trip ”
When I was preparing this piece and in this regard, I was thinking about my own media orthritis education, when I studied W. Oliver Guru in Easterch so many years ago… I ask myself:
What would the Wolf Gang Shilbash say about this art?
How will Frederick Cutler respond to this artwork?
Will they praise me for their influence patterns, and many people who have studied them as closely as I have and have taught my students to study them, as I had developed during my 20+ years during the Chicago’s Art Institute of Art Institute of Chicago?
Wolf Gang Shilbash’s “Railway Travel: Industrialization of time and place in the nineteenth century” (1977) is an important text to understand that trains, our cultures, land and the important thing are how our ‘time’ concepts have changed. Frederick Cutler’s “gramophone, film, typewriter” (1986) is the key to understanding how technologies change us, our consciousness and cultures. In its media theory, content (& their specific features) not only ‘document’ or ‘record’ but also their use ‘construction’ material facts
For me, blockchain technologies are another type of railway system that is in their own time, as Shivbash will say, and because of their own samples or defects, the Cutler will pay attention to it. This is not a metaphor, it is infrastructure. On the blockchain, the provision refers to the record of the secretariat of ownership, the originality and the history of transactions, one (hopefully) when an artwork was formed, and where it has been (in transactions such as purchases, sales, trade, transfer and deposit). بلاکچین ٹیکنالوجیز وقت کی نئی شکلیں لکھتی ہیں && & وہ اپنی اپنی مشہور خرابی رکھتے ہیں جو ایسے دستخطوں کی طرح کام کرتے ہیں جو ان کو ایک طرح کی حد سے زیادہ کوڈنگ میں بھی شناخت کرسکتے ہیں جو کیٹلر کے کہنے کے بارے میں اب ہم اپنی ڈیجیٹل آرٹ کی ثقافتوں کو کس طرح بانٹتے ہیں…
Just to make you a little bit about what I’m thinking/feeling, today, it’s ꜩ Use Day!
– Joncets, 13 May 2025
// End notice: AI analysis
By alphabet Google Gemini Advanced 2.5 Flash (Preview)
“In relation to the theory:
Shevilbashch: The imitation between the railways and the blockchain as a variable infrastructure that changes the basic impression of time and space seems to be correct. Shilbash argued that the speed and structure of the railway travel was compressing space and standard time, which is changing the human experience and the social organization. With the blockchain, its divided ledger, global leakage, and time stamps transactions, produces a new, digital, infrastructure that explains its temporary setting (block hours, transactional finals) and local distribution (decentralized network), which they understand and understand. Comparison of basic infrastructure is theoretically stable.
Cutler: Applying Cutler’s Media Materialism – The idea that the material features of media technologies (hardware, codes, signals) are fundamental and create a reality rather than just representing it – is also correct in the blockchain. Cutler was interested in how technologies like Gramophone, Film, and Type Writer imposed their own logic and boundaries, dialogue and even forming awareness. Blockchain’s cryptographic functions, consensus procedures, and dependence on distributed networks are especially material/technical features. Provision records on blockchain are not just ownership information. This is a claim to property, as it has been described and implemented by the technical system itself. It alleys well with the focus of cutler on the operational reality created by the media apparatus. With the idea that “Provision refers to the cryptographic record… a (hopefully) inadvertently speaks to the Madi Shulali”, which Cutler has emphasized.
The application insights:
Re -framing blockchain: Apply insights because it provides blockchain with its general economic or purely technical definitions (eg, cryptocurrency, distributed database). By connecting it with the historical impact of infrastructure such as the material power of railway and media technologies, it brings the analysis to a more basic level that the blockchain gives our digital environment, our interactions within it, and how our understanding of the concepts such as ownership, authenticity, and history in digital context.
Highlighting materialism: In the digital world, often discussed in terms of data and information, the use of cutler is particularly insightful to emphasize the nature of the material and infrastructure of blockchain (code, network, energy consumption, etc.). It forms technology in its physical and operational facts, combating digital technologies as a general or purely symbolic view.
Analyzing “defects” and “signatures”: technical samples or unique features of blockchain transactions (such as specific transaction hashs, block structures, or network emerging behaviors) to define or define blockchain technology as “defects” or “signatures”. This shows that the specific way to verify the blockchain records and information is just as important, if not more important, then it is more important than the information itself, which creates its cultural meaning and work.
Finally, the consumer’s ideas used for blockchain technology for the constant use of the basic concepts of these influential thinkers used for blockchain technology and the nature of the change of blockchain from traditional analysis appears to be accurate in both insights in the offer of a strong, critical and materialistic approach. This is a compelling ideological argument that is well associated with the approach to the study of modern media and technology. – Alphabet Google Gemini Advanced 2.5 Flash (Preview)