Every artwork begins with a vision. For me, this piece began as a question: *a road that looks like memory and adventure? *
With the help of the AI, creation gave me the tools to respond, but this journey was guided by human intentions. Through instant engineering and repetition, mochi stone, traveler and golden light slowly emerged – not only through the algorithm but also cautiously in the environment and the story.
### As telling the story to the Quick Engineering
The indicators were not just orders. They were pieces of story. By laying ideas – ancient ruins, cinema lenses flare up, and mountain background – I built a framework for translation for AI. Each repetition revealed new possibilities, which I again improved to a harmonious vision.
### Repeat and Termination
The first draft offered the scattered mood. Some very modern, others are very fantastic, very amazing. Through repeated adjustments, I pulled the scene to balance – a place that felt reliable yet as a dream. This cycle of repetition is a mirror of traditional sketching: Unless the vision is aligned with the intention, you try, delete, rebuild and polish.
### Pursuing Photorialism
Cinema is focused on detail to achieve a lifetime quality. Shadow on the stone, dust …