The decoration dictionary
The first big result was The dictionary style zine Title The decoration grid. Formed like a design manual, it documents key concepts and experiences of research – blending theory, visual and process.
Each proliferation is made on one of the reconstruction grid (Colum, Act, Nut), which shows how the ornament can guide the structure and rhythm. Zine serves as both archives and manifesto, a hybrid between educational records and artistic artifacts.
Through the dictionary, the ornaments are considered to be seen as seen as ornaments A visual language of logic and relationship.
Poster system and visual searches
Along with Zine, I created a Series of poster composition It examined how these grids can work as a system in contemporary design context.
Some posters used Column grid Looping to create typegraphic shapes that represent continuity and mutual dependence.
Others used Circular tissue of the mesh To form modular layout – play with transparency and light.
And Acute grid Informed rhythm, layered species, represent integrated cultural threads.
Each poster becomes a visual argument: that ornaments and modernist rational forces are not opposed. They can live together as part of a more comprehensive design language.
Designed as a cultural bridge
The deep result of this project is not merely visual, it is philosophical. The decoration grid The idea challenges that functionality and cultural expression should be separated. It suggests a middle ground where the design can be both logical and emotional, structural and store.
In this framework, there is no idea of ​​jewelry. It’s a Cultural bridgesConnect the symbolic intelligence of traditional craftsmanship to the practical health of modern communication design.